I wasn’t so impulsive when I was alive. Death has changed me, I guess. This isn’t a dream. It’s not the afterlife, either. This is something new. I don’t remember how I died. I only know that I did. My name is Jennika Monroe, and I need to find a way out of here. A college student reaches out from beyond the dead to solve her own murder. A struggle to identify what it means to be alive, what it means to love, and how hard a person will fight to hold on to what matters. This story is like nothing you’ve read before. It’s Altered Carbon meets Gone Girl inside a Matrix type environment. It will challenge you, then thrill you, then leave you wanting more. It’s an innovative breath of fresh air that will keep you on the edge of your seat. Step into the pounding heart of a unique digital setting and enjoy this technothriller today!
This is a fun read, which is to be expected from Zen DiPietro. I’ve yet to read a story from her that I haven’t liked. Billed as a technothriller, I think that Hello Protocol for Dead Girlswill also appeal to fans of LitRPGs. With a Ghost in the Machinevibe, we see technology through the view of a disembodied programmer. Reminiscent of Tron, Jennika interacts with other programs, and tries to not only let people know that she’s trapped in the server, but to solve her own murder. That particular nugget came out of nowhere, and I didn’t know who done it until the reveal. The story also explores themes like identity, and what it is that makes us human. Zen is no stranger to thinking outside of the box, and Hello Protocol for Dead Girlsis a short, easy read. It’s a welcome edition to Zen’s backlist, and worth the read. Four and a half stars!
Zen DiPietro is a lifelong bookworm, writer, and a mom of two. Perhaps most importantly, a Browncoat Trekkie Whovian. Also red-haired, left-handed, and a vegetarian geek. Absolutely terrible at conforming. A recovering gamer, but we won’t talk about that. Particular loves include badass heroines, British accents, and the smell of Band-Aids. Being an introvert gets in her way sometimes, as she finds it hard to make idle chitchat or stay up past 9 p.m. On the other hand, it makes it easy for her to dive down the rabbit hole of her love for books, stories, movies and games.
Waking up in a brothel with no recollection of previous events, Tricia, an android, is on a desperate quest to find her true creators. Trapped in the hands of gangsters and slavers, she’s done being abused and manipulated by the men of this world. But what she discovers after regaining her memory is more terrorizing than she ever realized. Now, it’s up to a robot with a conscience to carry out an impossible mission. Will Tricia prevail or is her fate already sealed?
Those that follow my haphazard book blog know that I like Greg Dragon. I find his writing to be excellent, and I’ll read anything that he puts out. I asked him for a review copy of Wireless, and he acquiesced.
I’m not sure if Wireless is the final book in the “Wired for Love” series, if so, it has been an exciting series to read. The ending is quite satisfying, and if I must bid the series farewell, it’ll be with a sense of completion. This series, plus Greg’s futuristic detective series, “The Synth Crisis,” offer an imaginative view of a possible future.
Not quite dystopian, not quite mystery, and not quite post-apocalyptic, the “Wired for Love” series blends all these elements, while focusing on human interactions, be they with synths or other humans. We cheer for Tricia when she succeeds, and cry when she fails. The series has something to say on the nature of being a person, discrimination, the dangers of an overreaching government, and the corruption of corporations and wealth.
As is the rest of the series, Wireless is must read, and like everything I’ve read by Greg Dragon, highly recommended.
Greg Dragon has been a creative writer for several years, and has authored on topics of relationship, finance, physical fitness and more through different sources of media. In particular, his online magazine has been a source of much pragmatic information, which has been helpful to many. As a result, his work continues to grow with a large and loyal fan base.
A month after the explosive end of his mission to the Divide, Vincent Whelan is spinning his wheels. He’s struggling to rebuild his business, frustrated at his position as Tom Tildrum’s “minion,” and uneasy about the dangers the near future will bring. So when a local spots a zombie prowling around one of Kinsale’s biggest factories, Vince takes extra precautions before he goes hunting for a necromancer in the dregs of his beleaguered city. Unfortunately for Vince, a straightforward case quickly morphs into a balancing act, when a familiar face pops in to drop a dangerous new quest on his head: Abarta has stolen a powerful tool from Manannán mac Lir, and to get it back, Vince will have to venture into the Otherworld yet again. With his allies split on two fronts, and threats rising on both sides, Vince finds himself facing the most perilous trial of his entire life: the battle to preserve his own humanity.
It really wasn’t until book three that I’m starting to like Vince. It’s not that I disliked him or anything in the first two books, but he was the reluctant hero before – almost a curmudgeon before his time. In What Gods Incite, he starts to become the hero we all knew that he’d be. More shenanigans ensue when Vince’s old friend, Rian, appears at just the right time to bail our hero out, and lend his skills to the fight against perennial villain Abarta. But as usual when fae magic is involved, not everyone is who they claim to be, so Vince, Rian, Odette and Saoirse need to watch each other’s back as they split into teams to confront multiple threats. I look forward to reading the next book in the series, and What Gods Inciteis another five star read.
Clara Coulson was born and raised in backwoods Virginia, USA. Currently in her mid-twenties, Clara holds a degree in English and Finance from the College of William & Mary and recently retired from the hustle and bustle of Washington, DC to return to the homeland and pick up the quiet writing life. Clara spends most of her time (when she’s not writing) dreaming up new story ideas, studying Japanese, and slowly reading through the several-hundred-book backlog on her budding home library. If she’s not occupied with any of those things, then you can probably find her playing with her two cats or lurking in the shadows of various social media websites.
Once Homo sapiens reigned supreme, spreading from star system to star system in an empire that encountered no alien life and thus knew no enemy . . . save itself. As had happened many times before, the basest, most primal human instincts rose up, only this time armed with the advanced scientific knowledge to create a genetically engineered smart virus that quickly wiped out humanity to the last man. That man is Ruslan, the sole known surviving human being in the universe. Rescued from the charnel house of his home planet by the Myssari—an intelligent alien race—Ruslan spends his days as something of a cross between a research subject and a zoo attraction. Though the Myssari are determined to resurrect the human race, using Ruslan’s genetic material, all he wants for himself and his species is oblivion. But then the Myssari make Ruslan an extraordinary offer: In exchange for his cooperation, they will do everything in their considerable power to find the lost home world of his species—an all-but-mythical place called Earth—and, perhaps, another living human. Thus begins an epic journey of adventure, danger, heartbreak, and hope, as Ruslan sets out in search of a place that may no longer exist—drawn by the slimmest yet most enduring hope.
At times predictable, and sometimes confounding, Alan Dean Foster is always a solid read. Alan is a known quantity with his writing, and Relic is just what you’d expect from him. Some authors, after decades of writing, will rest on their laurels, and churn out formulaic tomes to keep their existing audience coming back for more and more. Alan decides to write a story that while not exactly unique, does get the imagination going.
A dislikable protagonist is nothing new, and Ruslan certainly frustrates the reader with his antics, but there is a sad quality to the character that I can’t help but like. I can imagine what would be going through the mind of the last human ever, or how he would react to an extraterrestrial civilization that is so alien than we are.
That’s another interesting aspect of Relic: Anthropomorphism, or specifically a distinct lack of it. So many popular alien civilization stories are just bipeds with extra stuff added or taken away. It was a treat to read about a society not based on bipedalism, and more so how a biped would interact in an environment not designed for them.
I enjoyed Relic, as I knew I would. I continue to see Alan at cons, and he’s always an interesting visit. Relic is a solid four stars, and I’d love to read another book in the series, especially after the ending.
Bestselling science fiction writer Alan Dean Foster was born in New York City in 1946, but raised mainly in California. He received a B.A. in Political Science from UCLA in 1968, and a M.F.A. in 1969. Foster lives in Arizona with his wife, but he enjoys traveling because it gives him opportunities to meet new people and explore new places and cultures. This interest is carried over to his writing, but with a twist: the new places encountered in his books are likely to be on another planet, and the people may belong to an alien race.
What if your entire life passed by in just seven days? 16-year-old Delaney Archer’s mother is always complaining that there’s never enough time to get anything done. Delaney, on the other hand, always waits until the last moment to do everything. Nevertheless, she’s the top student in her class. She’s even about to graduate as valedictorian . . .Until one morning, when she wakes up in a strange place. Suddenly, she finds herself in graduate school. Seven years of her life have disappeared without a trace since she went to bed last night . . . but how? It takes a while for Delaney to get used to things. But it’s not all bad, right? After all, she can drink alcohol now, and she’s almost finished school . . . Then she wakes up the next day . . . and another seven years have passed. Every day is another brand-new adventure for Delaney as she struggles to adjust. But no matter what she tries, she just can’t seem to break the cycle. Now she just has to figure out what’s happening . . . before time runs out . . .
Time travel- check. Confused protagonist- check. Available on NetGalley- check. I finished reading this almost two months ago, and I can’t seem to remember the ending. I remember that as a supposedly smart protagonist, Delaney is pretty dumb, willing to accept ludicrous scenarios to explain her time jumping. Every singe character is annoying, with Sara being the worst of them all. The selfishness and hedonism is rife throughout. Really, Sara and the boyfriend are wretches of humanity, and for someone so smart, Delaney should’ve cut them loose long ago – especially since she didn’t even know them! Many reviews complain about the swears, but apparently, those reviewers have never encountered a teen in the wild- which Delaney was supposed to be, albeit in an adult body.
Overall, the book wasn’t terrible, but it wasn’t very good either. There were a lot of issues, with flashes of brilliance. The fact that I can’t remember the ending so soon after finishing the book makes me think that it wasn’t that great. Never Enough Time truly is a middle of the road book. I’d award it just to the positive side of middle of the road with 3.5 stars. I saw that the author wrote another sci-fi novel, Prediction, so I think I’ll check that out at a later date.
R. T. W. Lipkin lives in New York with her husband and three cats. Her genre-defying novels occur at the intersection of science fiction and fantasy, with mystery, romance, and adventure threaded throughout.
In January 2017, something very strange happens to screenwriter Ed Richie. He wakes up one morning to find that he has been shunted back in time nine months and is now inhabiting the body of his younger self… Worse is to come: the following day he jumps three years, to 2013, with all his memories of the intervening years intact. What is happening to him? Is he going mad? And where will his involuntary time-travel end? Meanwhile, in 2030, journalist Ella Croft is investigating the life of screenwriter and celebrated novelist Ed Richie, who mysteriously vanished in 2025. She interviews friends, acquaintances, and old lovers – and what she discovers will change not only Ed Richie’s life, but her own… Buying Time is a time-travel novel like no other. No man is rich enough to buy back his past – unless that man is Ed Richie…
Any time I see a time travel story on NetGalley, I’m ready and willing. It includes an aging novelist? Yep, I can totally relate. I liked the shifting between Ed’s romp through time, and 2030 Ella, and her fight for LGBT rights. Oh, and she’s also trying to track down Ed, and solve the mystery of his disappearance. Often when reading an A-B story, one of the branches is boring. Not the case with Buying Time. Brown fills in interesting back-story with the Ella “B” line.
Ed Richie isn’t a very likable character, but that’s not a bad thing, since his time-traveling situation rings true. The theme of the story is one of sadness and regret. Who among us hasn’t remembered that thing that they did, and wished they could go back and make a different choice?
Overall, this was a good sci-fi read, and I’ll definitely check out other works by Brown. Four stars.
Eric Brown was born in Haworth, West Yorkshire, in 1960, and has lived in Australia, India and Greece. He began writing in 1975, influenced by Agatha Christie and the science fiction writer Robert Silverberg. Since then he has written over forty-five books and published over a hundred and twenty short stories, selling his first story in 1986 and his first novel in 1992. He has written a dozen books for children; young adult titles as well as books for reluctant readers. He has been nominated for the British Science Fiction Award five times, winning it twice for his short stories in 2000 and 2002.