In a futuristic world, Neverland is a holomatrix, Hook is a cyborg, and Tinker Bell is an automated computer interface. Peter is desperate to save his lover from a military draft that, unbeknownst to him, Mir volunteered for because they are desperate to be able to fly. So, naturally, Peter programs an entire island—Neverland—as a refuge where Mir can fly without having to fight in a war. But he doesn’t locate Mir right away; instead, he fights for control of the island with automated interface Tinker Bell, and in his attempts to find Mir, others arrive on the island. But Peter’s single-minded focus on Mir generates repercussions for everyone.
Anyone who reads this blog with any regularity knows that I enjoy fairytale retellings. They’d also know that I try to read diverse stories and authors. I’ve had some pretty good reads with Nine Star Press in the past (check out my review of Dali), so when I saw Lost Boy, Found Boy on NetGalley, I figured I’d give it a try. While the idea of Neverland being an escapist virtual construct in a dystopian future of endless war totally jived with the Peter Pan fairytale, the execution fell flat. I think that one of the issues with the story was that the author tried to stick every possible LGBT character that they could.
Peter is a trans boy, who has a romantic interest in his enbyfriend, Mir, and they live in the “boys” section of their space ship. Tinker Bell is a sentient machine (computer program?), identifying as female, who is in a relationship with the lesbian “Wendy.” Captain Hook is a cyborg who has unrequited love for Peter.
Each chapter begins with what I can only assume are Tinker bell’s “thoughts,” but I mostly skipped over them. It started out as a paragraph, and by the end of the story was several kindle pages. With non-human characters, I thought that perhaps the author would explore transhumanism or technological singularity, but that didn’t pan out. (ha ha, get it?)
The story was convoluted with this dystopian space war and before they could get drafted, they enlisted so that “they could fly.” The motivations and the world that they lived in were sparse, and perhaps worldbuilding would’ve improved the story. I also think that the sheer volume of LGBT characters was just too much. I think that that more than anything would be a turn off for cis and/or heteronormative readers. Which is a shame, because as LGBT characters and fiction become more prevalent, people grow more accustomed to the idea, and those that see LGBT persons as “other” become more accepting through mere exposure.
There were just too many checkmarks in the “needs improvement” column for Lost Boy, Found Boy. It’s hard to quantify my feelings on this story with a star rating. I really did not enjoy the story, and with so many issues, it should be a two-star rating, and thusly, not reviewed on this blog. My ire isn’t up enough to give it two stars, and rage-blog a two-star story like I’ve done in the past, and some of the flaws I perceived might be plusses to an LGBT reader. I think in the end, I’ll award Lost Boy, Found Boy three stars, and say that I’m disappointed at opportunities missed.
Hi hey hello! My name’s Jenn Polish (they/them pronouns, please!), and I write things! Welcome! Welcome to the strange inner workings of my nerdy, dragon-loving, superhero-oriented, lesbian fairy tale-spinning mind. I’m a New Yorker (Queens pride!!) who’s been writing about as long as I’ve been playing basketball (so, a long time). When I’m not writing, I’m teaching writing — and learning a lot about it, because my students are absolutely brilliant — at CUNY LaGuardia Community College. In addition to teaching writing, I am immensely proud to teach in the Theatre Program at LAGCC.