I’ve run into Natalie at writing conventions, book festivals, and comic cons. Since we’re both Arizona authors, we often get invited to the same events. She’s always fun to sit next to on a sci-fi panel. Obviously, I’ve known about her alien/human hybrid story for a while (The Deep Beneath came out almost three years ago), but it wasn’t until a recent subscription to Kindle Unlimited that I finally got around to reading her work. (Sorry, Nat!)
From my interactions with Natalie over the years, I had high expectations for The Deep Beneath. I’m pleased to say that I was not disappointed. As with many stories revolving around secret government off-book projects, the administrators of said project were a bit clichéd. It’s an easy trope, and authors (including myself) often fall back on the megalomaniacal villain who has to save the world by destroying innocents. After all, the good of the many outweigh the needs of the few or the one.
Those that have read my reviews the last few years know that I grok sci-fi. It’s just my bag. The Deep Beneath is an easy sci-fi adventure. The premise is often repeated: An alien or alien hybrid escapes the machinations of a government facility, meets a young girl or boy who is at a potential crossroads in his or her life, and the two of them fall in love, but their love is not meant to be because the alien has to return to save the one they love. There is often an impossible pursuit where the powerful alien and crafty, but underestimated human outsmart the government thugs that brainlessly pursue the young couple because of duty or orders.
That pretty much describes all of alien YA sci-fi. It’s not a criticism of Ms. Wright’s work, or even the genre, but an acknowledgement that the trope exists. When an author tackles a common trope like this, it’s the quality of the writing, and unique insights by the author that make a story rise above the rest. Natalie uses her life in Arizona to bring realistic environmental descriptions to her writing. As someone who has been to most of the locations described in The Deep Beneath, and who is a military veteran, I found all the settings believable. The actions of the government thugs, however, were a little hard to swallow.
Military personnel are so often portrayed as mindless robots, serving their generals and commanders. These generals and commanders are often portrayed as iron-fisted oligarchs with absolute impunity and able to administer extreme non-judicial punishments. Punishments so severe that everyone is afraid of their commander. If this were the case, why would we even have a volunteer military? If I were so mistreated by a commanding officer, I’d bail, and never look back. But, this trope is so common, that I too, end up writing it. Which is a disappointment, because these wonderful men and women in the armed forces deserve to be accurately portrayed.
I did find the formatting of the dialog confusing in which people referred to the alien as “H.A.L.F. 9.” I couldn’t tell if characters were calling him “half-nine,” or “H-A-L-F-Nine.” I’m also not a fan of small numbers not being spelled out, but it’s a stylistic choice. Overall, I enjoyed the read. I’m a sucker for sci-fi. Although The Deep Beneath didn’t bring anything new to the table, reading a familiar trope in a familiar environment (a location that is often overlooked) was so easy, and fun. I plan to read the other two H.A.L.F. books next year, and look forward to interacting with Natalie Wright at future events. I’m going to call it 3.5 stars, and bump that to four since Amazon and Goodreads don’t allow fractional star ratings.