When I saw the crime novel, Lola, on blogging for books, I knew I had to get a copy. It seems that when the main protagonist of a story is a female, her compassion is seen as a weakness. Often, female protagonists are portrayed as overly masculine, i.e., “one of the boys,” or they are hyper-sexualized. It’s nice to read a realistic female protagonist that is neither of these. Yes, she’s a hot chica, and yes, she’s the ruthless leader of the Crenshaw Six, but her compassion offers nuance that’s often missing from fiction. I think one of the biggest things in the plus column for Lola, is that she feels like a real person.
From a human behavior analysis, the trials and tribulations of Lola’s childhood are perfectly followed through by the author. If Lola were a real person, and sought clinical help, I could easily see the causality of her past. And like a real person, she is who she is because of those experiences, and also in spite of those experiences. I’m not sure if the author did a lot of research, or if she draws from her own experiences or those of someone close to her. The accurate portrayal of human behavior is refreshing, because so often it’s exaggerated for effect.
There are underlying themes of prejudice and gender roles. Lola couldn’t possibly be the leader of the Crenshaw Six. That’s what everybody thinks, until it’s too late. A trail of clues is sprinkled through out the story that reveals what the reader knows, to the rest of the characters: Lola is a badass, and you better not [mess] with her or those that she cares about. Lola is cunning. She’s ruthless. Adversity is the brush she and her brother are painted with. She won’t back down, and she certainly won’t quit. These actions are Lola’s strength. A strength that serves her until the end of the story.
If I had a single complaint about Lola, it’s that the cartel characters are portrayed like they are in most books and movies: cruel, sadistic, and marginally competent. They are clichés of every villain I’ve ever read. Still, as a complaint, “the villains were too villainy,” is not the worst criticism. Fans of Breaking Bad, or Greg Dragon’s The Factory will enjoy Lola. I award it five stars, and look forward to reading more by Melissa Scrivner Love.